Mythology encompasses religion--that is, human relationships to god(s) and the god’s relationships with each other.
Britannica.com:
•
“The term mythology denotes both the study of myth and
the body of myths belonging to a particular religious tradition.”
•
In anthropological terms, the word does NOT mean a myth
is false. It means that it has been, or is, believed.
Myths are
• the stories in which people
believe and on which they base their moral code
• they describe people’s
understanding of the meaning of life
• they are accepted as truth
by members of the faith
Folklore
• need not be accepted as
truth
• includes stories about the
gods, magic, etc., related to and symbolically illustrating the myths
• brings religious principles
to life
• includes folk medicine, folk
art, folk music, folk tales, etc.
Folk culture is
• tied to mythology and
folklore
• it includes life style customs
(folk medicine, folk art, etc.)
Fairy tales:
•
Tales involving magical occurrences
•
Typically, they have authors, although they are often
retellings of traditional tales
Importance of symbols:
•
Myths and folklore originated in prehistory when humans
depended on the oral tradition
•
Symbols, according to Jung and Campbell, transcend the
oral. They can communicate at a subliminal level, and people need not be able
to understand or read the language to relate to the symbols [Book of Kells,
Star Wars, e. g.]
Differentiating
myth from folklore:
•
For Christians, the Resurrection is a core myth. It’s
hard to imagine a Christian without that belief.
BUT you can easily be a Christian and not believe that St. Patrick drove the snakes out of Ireland! [although there is symbolic truth to that story -- the dragon/snake is a symbol of the Druids]
Remember about
folklore:
•
It’s purpose isn’t to entertain. It’s to transmit
traditional beliefs and values.
Brunvand, who studies urban folklore:
•
“...folklore is material that gets orally transmitted
in different versions in the traditions of various social groups. Proverbs,
riddles, rhymes, jokes, anecdotes, and ballads are among the folk forms that
circulate in oral and usually anonymous variants.”
Anthropological views of myth:
• myth performs an explanatory
function. The nature of things is explained as established by the gods
• myth expresses human or
social need; it expresses the culture’s perception of the universe; it affirms
the culture rather than explains it.
Creation myths
• (Creation: the chaos of
power out of which the proper conventions and institutions emerge)
• Some say the universe was
created out of nothing; some, that it resulted from violence among the gods
• Nearly all creation myths
contain a flaw which explains the difference between the perfection of Creation
and the imperfect world we live in
• An element of healing is
introduced
• Creation myths set the model
for other aspects of culture
Origin of the deities
• Most myths reveal specific
deities which existed at the time of creation
• Oldest, earth/mother and
father/sky. New deities appear as their offspring
• Deities may express
sacredness in phenomena (lightning, mountains, fire)
• Involves order and causality
Myths of renewal and rebirth
• Time is seen as having a
cyclical rhythm
• Rituals are associated with
the cycle
• The creative power runs down
or is overrun by the actions of the gods or of humans
• There is a ritual reenactment
of creation
Folklore and children
• Grimm’s fairy tales in the
original are violent and explicit, not intended for children. The tales were collected to study German linguistics.
– from the oral tradition
– adults told and retold them
for adults, children listened
Bettelheim’s Meaning of Enchantment
• Bettleheim believed folklore was/is critical to children's development
– that they needed the
unexpurgated versions because of the layers of meaning they contain. The children would understand based on their level of development.
Notable writers:
Joseph Campbell wrote many books focusing especially on myth and folklore related to the Hero archetype.
Carl Jung studied and wrote about universal archetypes.
Women and folklore (Some titles)
•
Andrea Dworkin. Woman
Hating
•
Jean Shihoda Bolen:
– Crossing to Avalon
– Goddesses in Every Woman
•
Maxine Hong Kingston. Woman Warrior
•
Estes, Women Who
Run with the Wolves
• Faludi. Backlash
Men and Myth
• Robert Bly. Iron John
• Sam Keen. Fire in the Belly
• Jean Shihoda Bolen. Gods in Every Man
• Jane Tompkins. West of Everything
•
also
– Faludi.
Stiffed
– Raising Cain
Family folklore:
Every family has its own folklore based on the families of origin of each of the parents. Examples:
• traditions (ways of celebrating, grieving, etc.)
• foods
• rituals
• sayings
• events
• initiations
Other folklore:
• local ghost stories
* occupational lore
* lore that bonds specific
groups
Occupational Lore in Librarianship of the Past:
• Card Catalogs
• Corporate entries
• Early days of automation
• Library hand
• Selectric typewriters
• ALA filing rules
• P-slips
• On-order files
• Storage rooms full of
discards and unadded gifts
• “favorite” characters (staff
and patrons)
• Major events in the life of
the library
Lore that Bonds
the “Silent Generation” (my generation)
• D-Day
• The Cold War
• “The Shadow Knows…”
• Burma Shave signs
• Ed Sullivan
• Perry Como
• Captain Video
• Candy cigarettes
• Roy Rogers
• Poodle skirts
• Crinolines
• Keds & PF Flyers for gym
• Nylons in two pieces
• The bomb
What lore bonds YOUR generation??
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